Welcome To My Sanctuary
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this clip from make some noise s1e8 with oscar montoya and brennan lee mulligan is the only super mario bros content i care about personally
brennan lee mulligan has the greatest superpower: the unlimited ability to make an absolutely off-the-cuff monologue and then follow it up with the ultimate turnaround.
he can share the power with othersbut credit also needs to be firmly planted in the hands of oscar for hearing the prompt say “dramatic video game cutscene” and then going “got it, mario and luigi.”
(via yourozness)
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“The studios thought they could handle a strike. They might end up sparking a revolution”
by Mary McNamara
“If you want to start a revolution, tell your workers you’d rather see them lose their homes than offer them fair wages. Then lecture them about how their “unrealistic” demands are “disruptive” to the industry, not to mention disturbing your revels at Versailles, er, Sun Valley.
Honestly, watching the studios turn one strike into two makes you wonder whether any of their executives have ever seen a movie or watched a television show. Scenes of rich overlords sipping Champagne and acting irritated while the crowd howls for bread rarely end well for the Champagne sippers.
This spring, it sometimes seemed like the Hollywood studios represented by the Alliance of Motion Picture and Television Producers were actively itching for a writers’ strike. Speculations about why, exactly, ran the gamut: Perhaps it would save a little money in the short run and show the Writers Guild of America (perceived as cocky after its recent ability to force agents out of the packaging business) who’s boss.
More obviously, it might secure the least costly compromise on issues like residuals payments and transparency about viewership.
But the 20,000 members of the WGA are not the only people who, having had their lives and livelihoods upended by the streaming model, want fair pay and assurances about the use of artificial intelligence, among other sticking points. The 160,000 members of the Screen Actors Guild-American Federation of Television and Radio Artists share many of the writers’ concerns. And recent unforced errors by studio executives, named and anonymous, have suddenly transformed a fight the studios were spoiling for into a public relations war they cannot win.
Even as SAG-AFTRA representatives were seeing a majority of their demands rejected despite a nearly unanimous strike vote, a Deadline story quoted unnamed executives detailing a strategy to bleed striking writers until they come crawling back.
Days later, when an actors’ strike seemed imminent, Disney Chief Executive Bob Iger took time away from the Sun Valley Conference in Idaho not to offer compromise but to lecture. He told CNBC’s David Faber that the unions’ refusal to help out the studios by taking a lesser deal is “very disturbing to me.”
“There’s a level of expectation that they have that is just not realistic,” Iger said. “And they are adding to the set of the challenges that this business is already facing that is, quite frankly, very disruptive.”
If Iger thought his attempt to exec-splain the situation would make actors think twice about walking out, he was very much mistaken. Instead, he handed SAG-AFTRA President Fran Drescher the perfect opportunity for the kind of speech usually shouted atop the barricades.
“We are the victims here,” she said Thursday, marking the start of the actors’ strike. “We are being victimized by a very greedy entity. I am shocked by the way the people that we have been in business with are treating us. I cannot believe it, quite frankly: How far apart we are on so many things. How they plead poverty, that they’re losing money left and right, when giving hundreds of millions of dollars to their CEOs. It is disgusting. Shame on them. They stand on the wrong side of history at this very moment.”
Cue the cascading strings of “Les Mis,” bolstered by images of the most famous people on the planet walking out in solidarity: the cast of “Oppenheimer” leaving the film’s London premiere; the writers and cast of “The X-Files” reuniting on the picket line.
A few days later, Barry Diller, chairman and senior executive of IAC and Expedia Group and a former Hollywood studio chief, suggested that studio executives and top-earning actors take a 25% pay cut to bring a quick end to the strikes and help prevent “the collapse of the entire industry.”
When Diller is telling executives to take a pay cut to avoid destroying their industry, it is no longer a strike, or even two strikes. It is a last-ditch attempt to prevent le déluge.
Yes, during the 2007-08 writers’ strike, picketers yelled noncomplimentary things at executives as they entered their respective lots. (“What you earnin’, Chernin?” was popular at Fox, where Peter Chernin was chairman and chief executive.) But that was before social media made everything more immediate, incendiary and personal. (Even if they have never seen a movie or TV show, one would think that people heading up media companies would understand how media actually work.)
Even at the most heated moments of the last writers’ strike, executives like Chernin and Iger were seen as people who could be reasoned with — in part because most of the executives were running studios, not conglomerations, but mostly because the pay gap between executives and workers, in Hollywood and across the country, had not yet widened to the reprehensible chasm it has since.
Now, the massive eight- and nine-figure salaries of studio heads alongside photos of pitiably small residual checks are paraded across legacy and social media like historical illustrations of monarchs growing fat as their people starve. Proof that, no matter how loudly the studios claim otherwise, there is plenty of money to go around.
Topping that list is Warner Bros. Discovery Chief Executive Davd Zaslav. Having re-named HBO Max just Max and made cuts to the beloved Turner Classic Movies, among other unpopular moves, Zaslav has become a symbol of the cold-hearted, highly compensated executive that the writers and actors are railing against.
The ferocious criticism of individual executives’ salaries has placed Hollywood’s labor conflict at the center of the conversation about growing wealth disparities in the U.S., which stokes, if not causes, much of this country’s political divisions. It also strengthens the solidarity among the WGA and SAG-AFTRA and with other groups, from hotel workers to UPS employees, in the midst of disputes during what’s been called a “hot labor summer.”
Unfortunately, the heightened antagonism between studio executives and union members also appears to leave little room for the kind of one-on-one negotiation that helped end the 2007-08 writers’ strike. Iger’s provocative statement, and the backlash it provoked, would seem to eliminate him as a potential elder statesman who could work with both sides to help broker a deal.
Absent Diller and his “cut your damn salaries” plan, there are few Hollywood figures with the kind of experience, reputation and relationships to fill the vacuum.
At this point, the only real solution has been offered by actor Mark Ruffalo, who recently suggested that workers seize the means of production by getting back into the indie business, which is difficult to imagine and not much help for those working in television.
It’s the AMPTP that needs to heed Iger’s admonishment. At a time when the entertainment industry is going through so much disruption, two strikes is the last thing anyone needs, especially when the solution is so simple. If the studios don’t want a full-blown revolution on their hands, they’d be smart to give members of the WGA and SAG-AFTRA contracts they can live with.”
(via yourozness)
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the way tumblr is trying to distance itself from being a blogging platform is fucking. infuriating!!
like do you not know this is your strength!!! I want to be able to visit other people’s pages that have been CUSTOM MADE for their purpose!!! ARTISTS HAVE LINKS AND TAGS FOR THEIR ART!!! COMMUNITIES AND HELP/TUTORIAL BLOGS HAVE TAGS FOR SPECIFIC QUIERIES!!! WRITERS CAN LINK ME TO THEIR STORIES!!! IT HELPS BOTH THE POSTERS AND THE CONSUMERS TO MODERATE THE EXPERIENCE TO THEIR LIKING!!!!
SENDING PEOPLE TO THAT UNSLIGHTLY “BOARD” OF A “BLOG” THAT APPEARS NOW WHEN YOU CLICK THE NAME OF THE BLOG INSTEAD OF SENDING YOU TO THE ACTUAL BLOG IS SUCH A DUMBASS MOVE? IT DOESNT EVEN ALLOW LINKS!!! I CANT DO SHIT ON THERE!!! I CANT FIND WHAT IM THERE FOR!!!! IT MAKES ME NOT WANT TO USE IT!!!!
TUMBLR IS/USED TO BE THE MOST FLEXIBLE AND THAT WAS ITS BIGGEST MERIT!!! YOU HAVE ONE OF THE BEST TAGGING SYSTEMS AND YOU WONT LET ME USE IT TO ITS FULL POTENTIAL!!!
YOU CAN FOSTER COMMUNITIES, YOU LET PEOPLE KEEP MULTIPLE SIDE BLOGS WITHOUT HAVING TO SIGN IN WITH A DIFFERENT EMAIL, YOU ALLOW VIDEOS AND AUDIO AND +4 PHOTOS PER POST!!!! TWITTER CANT HAVE THAT!! TIKTOK CANT HAVE THAT!! REDDIT CANT HAVE THAT!!! FACEBOOK CANT HAVE THAT!!!
IM SO SICK OF THIS TWITTERIFICATION!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!
(via imperial-nuisance-rudje)
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Tumblr staff: ten options is enough for polls, right? No one needs more than that on a regular basis.
The average tumblr user: Hey guys which element of the periodic table do you think is the most fuckable?
Posting hole
Lol
yeah yeah carbon nanotubes. but what about the copper nanotubes.
(via imperial-nuisance-rudje)
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I knew having Redditors cross-train on Tumblr would produce weird fucking magic.
It gets better. This Redditor went the full Goncharov.
Glorbcharov: Dishonor Among AI Thieves
(via thydungeonguy)
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Change my meme (a replacement ‘Change my mind’ template) - template post - Imgur
[ID: an edited Calvin and Hobbes panel where Calvin sits, smiling, at a lemonade stand with a sign taped to the front of the table. It reads: It’s time to retire that other meme and replace it with this template. Change my mind.
Next image is the same meme but the sign reads: Steven Crowder does not deserve a meme format. Change my mind. /end](via imperial-nuisance-rudje)
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rage-against-the-dying-of-light:
hey @staff what the fresh fuck is this
wow i sure wonder 🤔🤔 what the new layouts supposed to look like 🤔🤔🤔🤔 its a mystery
Don’t forget y’all that there’s a much better way for us to let Tumblr know what we think about specific changes, rather than @ ing staff or wip, and it’s sending in a support ticket and choosing feedback!
Tumblr reverted some of the asinine app decisions they made after a concerted feedback effort! So make sure to use this form! It’s what it’s for, but it’s not well advertised!
(via yourozness)
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Some people have asked me if I can publish my mapmaking tools. So I developed a software. 🙂
Here is the result:
(via dedalvs)
